UPSC Static Quiz – Art and Culture : 17 July 2024
Kartavya Desk Staff
UPSC Static Quiz – Art and Culture : 17 July 2024 We will post 5 questions daily on static topics mentioned in the UPSC civil services preliminary examination syllabus. Each week will focus on a specific topic from the syllabus, such as History of India and Indian National Movement, Indian and World Geography, and more.We are excited to bring you our daily UPSC Static Quiz, designed to help you prepare for the UPSC Civil Services Preliminary Examination. Each day, we will post 5 questions on static topics mentioned in the UPSC syllabus. This week, we are focusing on Indian and World Geography.
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• Question 1 of 5 1. Question Consider the following statements regarding Thanjavur It largely depicts the social and economic life of common man. The paintings are notable for their adornment in the form of semi-precious stones and glass. The art form draws its immediate resources and inspiration from way back about 1600 AD. How many of the above statements is/are correct? (a) Only one (b) Only two (c) All three (d) None Correct Solution: b) Statement 1 is incorrect. Thanjavur painting is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting of chiefly Hindu religious subjects in temples. It is distinguished by its famous gold coating. The paintings are mostly of Gods and Goddesses because this art of painting flourished at a time when fine-looking and striking temples were being constructed by rulers of several dynasties. Incorrect Solution: b) Statement 1 is incorrect. Thanjavur painting is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country. The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting of chiefly Hindu religious subjects in temples. It is distinguished by its famous gold coating. The paintings are mostly of Gods and Goddesses because this art of painting flourished at a time when fine-looking and striking temples were being constructed by rulers of several dynasties.
#### 1. Question
Consider the following statements regarding Thanjavur
• It largely depicts the social and economic life of common man.
• The paintings are notable for their adornment in the form of semi-precious stones and glass.
• The art form draws its immediate resources and inspiration from way back about 1600 AD.
How many of the above statements is/are correct?
• (a) Only one
• (b) Only two
• (c) All three
Solution: b)
Statement 1 is incorrect.
Thanjavur painting is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country.
The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting of chiefly Hindu religious subjects in temples. It is distinguished by its famous gold coating.
The paintings are mostly of Gods and Goddesses because this art of painting flourished at a time when fine-looking and striking temples were being constructed by rulers of several dynasties.
Solution: b)
Statement 1 is incorrect.
Thanjavur painting is a classical South Indian painting style, which was inaugurated from the town of Thanjavur (anglicized as Tanjore) and spread across the adjoining and geographically contiguous Tamil country.
The art form draws its immediate resources and inspiration from way back about 1600 AD, a period when the Nayakas of Thanjavur under the suzerainty of the Vijayanagara Rayas encouraged art—chiefly, classical dance and music—as well as literature, both in Telugu and Tamil and painting of chiefly Hindu religious subjects in temples. It is distinguished by its famous gold coating.
The paintings are mostly of Gods and Goddesses because this art of painting flourished at a time when fine-looking and striking temples were being constructed by rulers of several dynasties.
• Question 2 of 5 2. Question Consider the following pairs: Folk Painting State/Region Madhubani Bihar Pattachitra Odisha Patua Andhra Pradesh Which of the pairs given above is/are matched correctly? a) 1 only b) 3 only c) 1 and 2 only d) 1 and 3 only Correct Solution: c) Madhubani art is practiced in the Mithila region, Bihar. Painting is done with fingers, twigs, brushes, nib-pens, and matchsticks, etc. Using natural dyes and pigments, and is characterised by eye-catching geometrical patterns. Pattachitra or Patachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha and West Bengal. Pattachitra art form is known for its intricate details as well as mythological narratives and folktales inscribed in it. The Patuas are an artisan community found in the state of West Bengal, Bihar, Jharkhand and Odisha in India and parts of Bangladesh. Incorrect Solution: c) Madhubani art is practiced in the Mithila region, Bihar. Painting is done with fingers, twigs, brushes, nib-pens, and matchsticks, etc. Using natural dyes and pigments, and is characterised by eye-catching geometrical patterns. Pattachitra or Patachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha and West Bengal. Pattachitra art form is known for its intricate details as well as mythological narratives and folktales inscribed in it. The Patuas are an artisan community found in the state of West Bengal, Bihar, Jharkhand and Odisha in India and parts of Bangladesh.
#### 2. Question
Consider the following pairs:
Folk Painting State/Region
• Madhubani Bihar
• Pattachitra Odisha
• Patua Andhra Pradesh
Which of the pairs given above is/are matched correctly?
• c) 1 and 2 only
• d) 1 and 3 only
Solution: c)
Madhubani art is practiced in the Mithila region, Bihar. Painting is done with fingers, twigs, brushes, nib-pens, and matchsticks, etc. Using natural dyes and pigments, and is characterised by eye-catching geometrical patterns.
Pattachitra or Patachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha and West Bengal. Pattachitra art form is known for its intricate details as well as mythological narratives and folktales inscribed in it.
The Patuas are an artisan community found in the state of West Bengal, Bihar, Jharkhand and Odisha in India and parts of Bangladesh.
Solution: c)
Madhubani art is practiced in the Mithila region, Bihar. Painting is done with fingers, twigs, brushes, nib-pens, and matchsticks, etc. Using natural dyes and pigments, and is characterised by eye-catching geometrical patterns.
Pattachitra or Patachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha and West Bengal. Pattachitra art form is known for its intricate details as well as mythological narratives and folktales inscribed in it.
The Patuas are an artisan community found in the state of West Bengal, Bihar, Jharkhand and Odisha in India and parts of Bangladesh.
• Question 3 of 5 3. Question Which of the following is/are common between Dhrupad and Khyal genre of Indian classical music? Both are associated with the extensive use of the Been and Pakhawaj musical instruments. Both come from the court of Amir Khusrou of the 13th century. Select the correct answer code: a) 1 only b) 2 only c) Both 1 and 2 d) None of the above Correct Solution: d) Both statements are wrong. “ Dhrupad is believed to have been a further elaboration of the prabandha structure. While it might have had an impetus for popularity even by the 14th century, it finds a blossoming period from 15th century onwards to about the 18th century. During these centuries we meet the most respected and renowned singers and patrons of this form. There was Man Singh Tomar, the Maharaja of Gwalior. It was he who was mainly responsible for the enormous vogue of dhrupad. The dhrupad is even now highly respected and can be heard on the concert platform but more often in temples of North India. Dhrupad has somewhat receded to the background and is not so popular with the masses. The Been and Pakhawaj which were closely associated with the dhrupad also do not find much patronage these days. Today the pride of place in classical Hindustani Music is occupied by the Khyal. We are really not sure about the beginning of the Khyal. The word is alien and means ‘imagination’. And as you will find when you hear it is more lyrical than the dhrupad. But whether the musical form itself is foreign, is a matter of doubt. Some scholars are of the opinion that in fact, it has its roots in the ancient Indian roopaka alaps. It is also said that Amir Khusrou of the 13th century gave it an impetus. Sultan Mohammed Sharkhi of the 15th century is credited with encouraging this form. However, it attained its maturity at the hands of Niyamat Khan Sadarang and Adarang of the 18th century.” Incorrect Solution: d) Both statements are wrong. “ Dhrupad is believed to have been a further elaboration of the prabandha structure. While it might have had an impetus for popularity even by the 14th century, it finds a blossoming period from 15th century onwards to about the 18th century. During these centuries we meet the most respected and renowned singers and patrons of this form. There was Man Singh Tomar, the Maharaja of Gwalior. It was he who was mainly responsible for the enormous vogue of dhrupad. The dhrupad is even now highly respected and can be heard on the concert platform but more often in temples of North India. Dhrupad has somewhat receded to the background and is not so popular with the masses. The Been and Pakhawaj which were closely associated with the dhrupad also do not find much patronage these days. Today the pride of place in classical Hindustani Music is occupied by the Khyal. We are really not sure about the beginning of the Khyal. The word is alien and means ‘imagination’. And as you will find when you hear it is more lyrical than the dhrupad. But whether the musical form itself is foreign, is a matter of doubt. Some scholars are of the opinion that in fact, it has its roots in the ancient Indian roopaka alaps. It is also said that Amir Khusrou of the 13th century gave it an impetus. Sultan Mohammed Sharkhi of the 15th century is credited with encouraging this form. However, it attained its maturity at the hands of Niyamat Khan Sadarang and Adarang of the 18th century.”
#### 3. Question
Which of the following is/are common between Dhrupad and Khyal genre of Indian classical music?
• Both are associated with the extensive use of the Been and Pakhawaj musical instruments.
• Both come from the court of Amir Khusrou of the 13th century.
Select the correct answer code:
• c) Both 1 and 2
• d) None of the above
Solution: d)
Both statements are wrong.
“ Dhrupad is believed to have been a further elaboration of the prabandha structure. While it might have had an impetus for popularity even by the 14th century, it finds a blossoming period from 15th century onwards to about the 18th century. During these centuries we meet the most respected and renowned singers and patrons of this form. There was Man Singh Tomar, the Maharaja of Gwalior. It was he who was mainly responsible for the enormous vogue of dhrupad.
The dhrupad is even now highly respected and can be heard on the concert platform but more often in temples of North India. Dhrupad has somewhat receded to the background and is not so popular with the masses. The Been and Pakhawaj which were closely associated with the dhrupad also do not find much patronage these days.
Today the pride of place in classical Hindustani Music is occupied by the Khyal. We are really not sure about the beginning of the Khyal. The word is alien and means ‘imagination’. And as you will find when you hear it is more lyrical than the dhrupad. But whether the musical form itself is foreign, is a matter of doubt.
Some scholars are of the opinion that in fact, it has its roots in the ancient Indian roopaka alaps. It is also said that Amir Khusrou of the 13th century gave it an impetus. Sultan Mohammed Sharkhi of the 15th century is credited with encouraging this form. However, it attained its maturity at the hands of Niyamat Khan Sadarang and Adarang of the 18th century.”
Solution: d)
Both statements are wrong.
“ Dhrupad is believed to have been a further elaboration of the prabandha structure. While it might have had an impetus for popularity even by the 14th century, it finds a blossoming period from 15th century onwards to about the 18th century. During these centuries we meet the most respected and renowned singers and patrons of this form. There was Man Singh Tomar, the Maharaja of Gwalior. It was he who was mainly responsible for the enormous vogue of dhrupad.
The dhrupad is even now highly respected and can be heard on the concert platform but more often in temples of North India. Dhrupad has somewhat receded to the background and is not so popular with the masses. The Been and Pakhawaj which were closely associated with the dhrupad also do not find much patronage these days.
Today the pride of place in classical Hindustani Music is occupied by the Khyal. We are really not sure about the beginning of the Khyal. The word is alien and means ‘imagination’. And as you will find when you hear it is more lyrical than the dhrupad. But whether the musical form itself is foreign, is a matter of doubt.
Some scholars are of the opinion that in fact, it has its roots in the ancient Indian roopaka alaps. It is also said that Amir Khusrou of the 13th century gave it an impetus. Sultan Mohammed Sharkhi of the 15th century is credited with encouraging this form. However, it attained its maturity at the hands of Niyamat Khan Sadarang and Adarang of the 18th century.”
• Question 4 of 5 4. Question Consider the following statements regarding the semi-classical music form Thumri. It is inspired by Bhakti Movement. It is based on the romantic literature. Thumri is one of the division of Carnatic music. Which of the above statements is/ are correct? a) 1 and 2 only b) 2 only c) 3 only d) 1, 2 and 3 only Correct Solution: a) Indian Hindustani Classical Music has various divisions like Khyaal, Thumari/Thumri, Tappa, Tarana, etc. The thumri is based on the romantic-devotional literature inspired by the bhakti movement. The text is usually derived from the Radha-Krishna theme and is of primary importance. The semi-classical music form ‘thumr is known to have derived its name from thumakna. Loosely translated the word means, “dance-like movements”. Thumri was about mild eroticism and dramatic gestures and was the invention of courtesans. The text is romantic and devotional in nature, and usually revolves around a girl’s love for Krishna. The language is a dialect of Hindi called Brij bhasha. Incorrect Solution: a) Indian Hindustani Classical Music has various divisions like Khyaal, Thumari/Thumri, Tappa, Tarana, etc. The thumri is based on the romantic-devotional literature inspired by the bhakti movement. The text is usually derived from the Radha-Krishna theme and is of primary importance. The semi-classical music form ‘thumr is known to have derived its name from thumakna. Loosely translated the word means, “dance-like movements”. Thumri was about mild eroticism and dramatic gestures and was the invention of courtesans. The text is romantic and devotional in nature, and usually revolves around a girl’s love for Krishna. The language is a dialect of Hindi called Brij bhasha.
#### 4. Question
Consider the following statements regarding the semi-classical music form Thumri.
• It is inspired by Bhakti Movement.
• It is based on the romantic literature.
• Thumri is one of the division of Carnatic music.
Which of the above statements is/ are correct?
• a) 1 and 2 only
• d) 1, 2 and 3 only
Solution: a)
Indian Hindustani Classical Music has various divisions like Khyaal, Thumari/Thumri, Tappa, Tarana, etc. The thumri is based on the romantic-devotional literature inspired by the bhakti movement.
The text is usually derived from the Radha-Krishna theme and is of primary importance. The semi-classical music form ‘thumr is known to have derived its name from thumakna. Loosely translated the word means, “dance-like movements”.
Thumri was about mild eroticism and dramatic gestures and was the invention of courtesans. The text is romantic and devotional in nature, and usually revolves around a girl’s love for Krishna. The language is a dialect of Hindi called Brij bhasha.
Solution: a)
Indian Hindustani Classical Music has various divisions like Khyaal, Thumari/Thumri, Tappa, Tarana, etc. The thumri is based on the romantic-devotional literature inspired by the bhakti movement.
The text is usually derived from the Radha-Krishna theme and is of primary importance. The semi-classical music form ‘thumr is known to have derived its name from thumakna. Loosely translated the word means, “dance-like movements”.
Thumri was about mild eroticism and dramatic gestures and was the invention of courtesans. The text is romantic and devotional in nature, and usually revolves around a girl’s love for Krishna. The language is a dialect of Hindi called Brij bhasha.
• Question 5 of 5 5. Question Said to be the oldest medical book in India, it contains many tenets of Ayurveda, it is a) Atreya Samhita b) Nirdhaan Samhita c) Sushruta Samhita d) Charak Samhita Correct Solution: a) It is an ancient text on Ayurvedic medicines written by Atreya. It is the basis of the works of Harita and Charaka. It describes about the eight branches of ayurveda such as Kayachikitsa (Internal Medicine), Shalakya Tantra (surgery and treatment of head and neck, Ophthalmology and Otolaryngology), Shalya Tantra (Surgery), Agada Tantra (Toxicology), Bhuta Vidya (Psychiatry), Kaumarabhritya (Pediatrics), Rasayana (science of rejuvenation or anti-aging), and Vajikarana (the science of fertility). Incorrect Solution: a) It is an ancient text on Ayurvedic medicines written by Atreya. It is the basis of the works of Harita and Charaka. It describes about the eight branches of ayurveda such as Kayachikitsa (Internal Medicine), Shalakya Tantra (surgery and treatment of head and neck, Ophthalmology and Otolaryngology), Shalya Tantra (Surgery), Agada Tantra (Toxicology), Bhuta Vidya (Psychiatry), Kaumarabhritya (Pediatrics), Rasayana (science of rejuvenation or anti-aging), and Vajikarana (the science of fertility).
#### 5. Question
Said to be the oldest medical book in India, it contains many tenets of Ayurveda, it is
• a) Atreya Samhita
• b) Nirdhaan Samhita
• c) Sushruta Samhita
• d) Charak Samhita
Solution: a)
It is an ancient text on Ayurvedic medicines written by Atreya.
It is the basis of the works of Harita and Charaka. It describes about the eight branches of ayurveda such as Kayachikitsa (Internal Medicine), Shalakya Tantra (surgery and treatment of head and neck, Ophthalmology and Otolaryngology), Shalya Tantra (Surgery), Agada Tantra (Toxicology), Bhuta Vidya (Psychiatry), Kaumarabhritya (Pediatrics), Rasayana (science of rejuvenation or anti-aging), and Vajikarana (the science of fertility).
Solution: a)
It is an ancient text on Ayurvedic medicines written by Atreya.
It is the basis of the works of Harita and Charaka. It describes about the eight branches of ayurveda such as Kayachikitsa (Internal Medicine), Shalakya Tantra (surgery and treatment of head and neck, Ophthalmology and Otolaryngology), Shalya Tantra (Surgery), Agada Tantra (Toxicology), Bhuta Vidya (Psychiatry), Kaumarabhritya (Pediatrics), Rasayana (science of rejuvenation or anti-aging), and Vajikarana (the science of fertility).
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