DAY – 38 Insta 75 Days Revision Plan-2024: Topic – ART & CULTURE, Subject-wise Test 2, 17, 28 , Textbook-based Test – 21, 22, 11 and Feb & Mar 2024 CA

INSTA 75 Days REVISION PLAN 2024

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• Question 1 of 30 1. Question 1 points Consider the following statements. Over the Top (OTT) streaming platforms in India are governed by the Information Technology Rules of 2021. Over the Top (OTT) streaming platforms in India fall under the jurisdiction of the Telecom Regulatory Authority of India (TRAI). TRAI regulate telecom services, including fixation/revision of tariffs for telecom services which were earlier vested in the Central Government. How many of the above statements is/are correct? a) Only one b) Only two c) All three d) None Correct Solution: B The Telecom Regulatory Authority of India (TRAI) was established with effect from 20th February 1997 by an Act of Parliament, called the Telecom Regulatory Authority of India Act, 1997, to regulate telecom services, including fixation/revision of tariffs for telecom services which were earlier vested in the Central Government. TRAI’s mission is to create and nurture conditions for growth of telecommunications in the country in a manner and at a pace which will enable India to play a leading role in emerging global information society. One of the main objectives of TRAI is to provide a fair and transparent policy environment which promotes a level playing field and facilitates fair competition. Incorrect Solution: B The Telecom Regulatory Authority of India (TRAI) was established with effect from 20th February 1997 by an Act of Parliament, called the Telecom Regulatory Authority of India Act, 1997, to regulate telecom services, including fixation/revision of tariffs for telecom services which were earlier vested in the Central Government. TRAI’s mission is to create and nurture conditions for growth of telecommunications in the country in a manner and at a pace which will enable India to play a leading role in emerging global information society. One of the main objectives of TRAI is to provide a fair and transparent policy environment which promotes a level playing field and facilitates fair competition.

#### 1. Question

Consider the following statements.

• Over the Top (OTT) streaming platforms in India are governed by the Information Technology Rules of 2021.

• Over the Top (OTT) streaming platforms in India fall under the jurisdiction of the Telecom Regulatory Authority of India (TRAI).

• TRAI regulate telecom services, including fixation/revision of tariffs for telecom services which were earlier vested in the Central Government.

How many of the above statements is/are correct?

• a) Only one

• b) Only two

• c) All three

Solution: B

The Telecom Regulatory Authority of India (TRAI) was established with effect from 20th February 1997 by an Act of Parliament, called the Telecom Regulatory Authority of India Act, 1997, to regulate telecom services, including fixation/revision of tariffs for telecom services which were earlier vested in the Central Government.

TRAI’s mission is to create and nurture conditions for growth of telecommunications in the country in a manner and at a pace which will enable India to play a leading role in emerging global information society.

One of the main objectives of TRAI is to provide a fair and transparent policy environment which promotes a level playing field and facilitates fair competition.

Solution: B

One of the main objectives of TRAI is to provide a fair and transparent policy environment which promotes a level playing field and facilitates fair competition.

• Question 2 of 30 2. Question 1 points In the context of which one of the following is the term ‘BioTRIG’ mentioned? (a) Extraction of rare earth elements (b) Natural gas extraction technologies (c) Hydrogen fuel-based automobiles (d) Waste-to-energy technologies Correct Solution: D Context: A recent study introduces a waste management technology called ‘BioTRIG,’ utilizing pyrolysis at the community level in rural India. This process converts organic waste into useful products like biooil, syngas, and biochar fertilizer. ● The BioTRIG system aims to address various rural challenges, including indoor air pollution, soil degradation, and lack of reliable electricity Incorrect Solution: D Context: A recent study introduces a waste management technology called ‘BioTRIG,’ utilizing pyrolysis at the community level in rural India. This process converts organic waste into useful products like biooil, syngas, and biochar fertilizer. ● The BioTRIG system aims to address various rural challenges, including indoor air pollution, soil degradation, and lack of reliable electricity

#### 2. Question

In the context of which one of the following is the term ‘BioTRIG’ mentioned?

• (a) Extraction of rare earth elements

• (b) Natural gas extraction technologies

• (c) Hydrogen fuel-based automobiles

• (d) Waste-to-energy technologies

Solution: D

• Context: A recent study introduces a waste management technology called ‘BioTRIG,’ utilizing pyrolysis at the community level in rural India.

• This process converts organic waste into useful products like biooil, syngas, and biochar fertilizer.

● The BioTRIG system aims to address various rural challenges, including indoor air pollution, soil degradation, and lack of reliable electricity

Solution: D

• Context: A recent study introduces a waste management technology called ‘BioTRIG,’ utilizing pyrolysis at the community level in rural India.

• This process converts organic waste into useful products like biooil, syngas, and biochar fertilizer.

● The BioTRIG system aims to address various rural challenges, including indoor air pollution, soil degradation, and lack of reliable electricity

• Question 3 of 30 3. Question 1 points Which of the following are the applications of Remote Sensing? chart wildlife habitats measuring the temperature and wave height of ocean map wetlands monitoring of ocean circulation How many of the above options is/are correct? a) Only one b) Only two c) Only three d) All four Correct Solution: D Remote Sensing has wide range of application such as monitoring of ocean circulation and current systems; measuring the temperature and wave height of ocean; track hurricanes, earthquakes, erosion, and flooding; monitor land use, map wetlands, and chart wildlife habitats. Incorrect Solution: D Remote Sensing has wide range of application such as monitoring of ocean circulation and current systems; measuring the temperature and wave height of ocean; track hurricanes, earthquakes, erosion, and flooding; monitor land use, map wetlands, and chart wildlife habitats.

#### 3. Question

Which of the following are the applications of Remote Sensing?

• chart wildlife habitats

• measuring the temperature and wave height of ocean

• map wetlands

• monitoring of ocean circulation

How many of the above options is/are correct?

• a) Only one

• b) Only two

• c) Only three

• d) All four

Solution: D

Remote Sensing has wide range of application such as monitoring of ocean circulation and current systems; measuring the temperature and wave height of ocean; track hurricanes, earthquakes, erosion, and flooding; monitor land use, map wetlands, and chart wildlife habitats.

Solution: D

• Question 4 of 30 4. Question 1 points Consider the following: Packet filtering Packet switching Network address translation How many of the above functions are performed by routers? (a) Only one (b) Only two (c) All three (d) None Correct Solution: C Context: India has launched its fastest and indigenously designed IP/MPLS (Multiprotocol Label Switching) router. ○ MPLS is a routing technique in telecommunications networks that directs data based on labels rather than network addresses. Routers perform multiple functions, including packet filtering to control the flow of data, packet switching to forward data between networks, and network address translation (NAT) to translate private IP addresses to public IP addresses and vice versa Incorrect Solution: C Context: India has launched its fastest and indigenously designed IP/MPLS (Multiprotocol Label Switching) router. ○ MPLS is a routing technique in telecommunications networks that directs data based on labels rather than network addresses. Routers perform multiple functions, including packet filtering to control the flow of data, packet switching to forward data between networks, and network address translation (NAT) to translate private IP addresses to public IP addresses and vice versa

#### 4. Question

Consider the following:

• Packet filtering

• Packet switching

• Network address translation

How many of the above functions are performed by routers?

• (a) Only one

• (b) Only two

• (c) All three

Solution: C

• Context: India has launched its fastest and indigenously designed IP/MPLS (Multiprotocol Label Switching) router.

○ MPLS is a routing technique in telecommunications networks that directs data based on labels rather than network addresses.

• Routers perform multiple functions, including packet filtering to control the flow of data, packet switching to forward data between networks, and network address translation (NAT) to translate private IP addresses to public IP addresses and vice versa

Solution: C

• Context: India has launched its fastest and indigenously designed IP/MPLS (Multiprotocol Label Switching) router.

○ MPLS is a routing technique in telecommunications networks that directs data based on labels rather than network addresses.

• Question 5 of 30 5. Question 1 points Large planned cities with brick buildings, public baths and sewage systems were the architectural features of which of the following civilization? a) Yellow River civilization b) Nile Valley Civilization c) Mesopotamian Civilization d) Indus Valley Civilization Correct Solution: D Incorrect Solution: D

#### 5. Question

Large planned cities with brick buildings, public baths and sewage systems were the architectural features of which of the following civilization?

• a) Yellow River civilization

• b) Nile Valley Civilization

• c) Mesopotamian Civilization

• d) Indus Valley Civilization

Solution: D

• Question 6 of 30 6. Question 1 points Consider the following pairs: Folk Music State 1.Chhakri Himachal Pradesh 2.Alha Uttar Pradesh 3.Mando Goa 4.Powada Maharashtra How many of the above pairs are correctly matched? a) Only one b) Only two c) Only three d) All four Correct Answer: c Explanation: Chhakri, Kashmir Chhakri is a group song which is the most popular form of Kashmir’s folk music. It is sung to the accompaniment of the noot (earthen pot) rababs, sarangi and tumbaknari (an earthen pot with high neck). Hence, pair 1 is incorrect. Alha, Uttar Pradesh Alha, typical ballad of Bundelkhand narrates the heroic deeds of Alha and Udal, the two warrior brothers who served Raja Parmal of Majoba. This is the most popular regional music of Bundelkhand which is popular elsewhere in the country as well. The Alha is full of tales of feudal chivalry, which have appeal to common men. It highlights the high principles of morality, chivalry and nobility prevalent in those times. Hence, pair 2 is correct. Mando, Goa Goan regional music is a treasury of the traditional music of the Indian subcontinent. Mando, the finest creation of Goan song is a slow verse and refrain composition dealing with love, tragedy and both social injustice and political resistance during Portuguese presence in Goa. Hence, pair 3 is correct. Powada, Maharashtra Powada is the traditional folk art from Maharashtra. The word Powada itself means “the narration of a story in glorious terms”. The narratives are always odes in praise of an individual hero or an incident or place. The chief narrator is known as the Shahir who plays the duff to keep the rhythm.The tempo is fast and controlled by the main singer who is supported by others in chorus. The earliest notable Powada was the Afzal Khanacha Vadh (The Killing of Afzal Khan) (1659) by Agnidas which recorded Shivaji’s encounter with Afzal Khan. Hence, pair 4 is correct. Hence, option (c) is correct. Incorrect Answer: c Explanation: Chhakri, Kashmir Chhakri is a group song which is the most popular form of Kashmir’s folk music. It is sung to the accompaniment of the noot (earthen pot) rababs, sarangi and tumbaknari (an earthen pot with high neck). Hence, pair 1 is incorrect. Alha, Uttar Pradesh Alha, typical ballad of Bundelkhand narrates the heroic deeds of Alha and Udal, the two warrior brothers who served Raja Parmal of Majoba. This is the most popular regional music of Bundelkhand which is popular elsewhere in the country as well. The Alha is full of tales of feudal chivalry, which have appeal to common men. It highlights the high principles of morality, chivalry and nobility prevalent in those times. Hence, pair 2 is correct. Mando, Goa Goan regional music is a treasury of the traditional music of the Indian subcontinent. Mando, the finest creation of Goan song is a slow verse and refrain composition dealing with love, tragedy and both social injustice and political resistance during Portuguese presence in Goa. Hence, pair 3 is correct. Powada, Maharashtra Powada is the traditional folk art from Maharashtra. The word Powada itself means “the narration of a story in glorious terms”. The narratives are always odes in praise of an individual hero or an incident or place. The chief narrator is known as the Shahir who plays the duff to keep the rhythm.The tempo is fast and controlled by the main singer who is supported by others in chorus. The earliest notable Powada was the Afzal Khanacha Vadh (The Killing of Afzal Khan) (1659) by Agnidas which recorded Shivaji’s encounter with Afzal Khan. Hence, pair 4 is correct. Hence, option (c) is correct.

#### 6. Question

Consider the following pairs:

Folk Music | State

1.Chhakri | Himachal Pradesh

2.Alha | Uttar Pradesh

3.Mando | Goa

4.Powada | Maharashtra

How many of the above pairs are correctly matched?

• a) Only one

• b) Only two

• c) Only three

• d) All four

Explanation:

Chhakri, Kashmir

• Chhakri is a group song which is the most popular form of Kashmir’s folk music.

• It is sung to the accompaniment of the noot (earthen pot) rababs, sarangi and tumbaknari (an earthen pot with high neck). Hence, pair 1 is incorrect.

Alha, Uttar Pradesh

• Alha, typical ballad of Bundelkhand narrates the heroic deeds of Alha and Udal, the two warrior brothers who served Raja Parmal of Majoba. This is the most popular regional music of Bundelkhand which is popular elsewhere in the country as well.

• The Alha is full of tales of feudal chivalry, which have appeal to common men. It highlights the high principles of morality, chivalry and nobility prevalent in those times. Hence, pair 2 is correct.

Mando, Goa

• Goan regional music is a treasury of the traditional music of the Indian subcontinent.

• Mando, the finest creation of Goan song is a slow verse and refrain composition dealing with love, tragedy and both social injustice and political resistance during Portuguese presence in Goa. Hence, pair 3 is correct.

Powada, Maharashtra

• Powada is the traditional folk art from Maharashtra. The word Powada itself means “the narration of a story in glorious terms”. The narratives are always odes in praise of an individual hero or an incident or place. The chief narrator is known as the Shahir who plays the duff to keep the rhythm.The tempo is fast and controlled by the main singer who is supported by others in chorus.

• The earliest notable Powada was the Afzal Khanacha Vadh (The Killing of Afzal Khan) (1659) by Agnidas which recorded Shivaji’s encounter with Afzal Khan. Hence, pair 4 is correct.

Hence, option (c) is correct.

Explanation:

Chhakri, Kashmir

• Chhakri is a group song which is the most popular form of Kashmir’s folk music.

• It is sung to the accompaniment of the noot (earthen pot) rababs, sarangi and tumbaknari (an earthen pot with high neck). Hence, pair 1 is incorrect.

Alha, Uttar Pradesh

Mando, Goa

• Goan regional music is a treasury of the traditional music of the Indian subcontinent.

Powada, Maharashtra

• The earliest notable Powada was the Afzal Khanacha Vadh (The Killing of Afzal Khan) (1659) by Agnidas which recorded Shivaji’s encounter with Afzal Khan. Hence, pair 4 is correct.

Hence, option (c) is correct.

• Question 7 of 30 7. Question 1 points With reference to the differences between classical music and folk music, consider the following statements: Classical music in India follows a formalized system of training, while folk music is typically learned informally from childhood, integrated into daily life activities and community events. Folk music is deeply intertwined with the fabric of rural life often performed during events like weddings, engagements, or agricultural activities, while Classical music tends to have a more formalized concert setting. Folk music repertoire includes songs that often tells stories, expresses emotions, and celebrates communal experiences. Classical music repertoire is based compositions often passed down through generations within specific musical lineages. How many of the above given statements are NOT correct? a) Only one b) Only two c) All three d) None Correct Answer: d Explanation: The differences between folk and classical music in India are vast and reflect both cultural and practical distinctions. Training and Learning: Classical music in India follows a formalized system of training, often requiring extensive periods of apprenticeship where students devote their lives to learning the music. In contrast, folk music is typically learned informally from childhood, integrated into daily life activities and community events. Hence, statement 1 is correct. Economic Factors: Classical music apprenticeships often require significant financial investment and stability, which may not be feasible for rural communities where folk music thrives. Economic constraints in rural areas often mean that practitioners must balance their musical pursuits with other professions such as farming or hunting. Occasions and Context: Folk music is deeply intertwined with the fabric of rural life, often performed during events like weddings, engagements, or agricultural activities like planting and harvesting. Classical music, while also performed at various events, tends to have a more formalized concert setting. Hence, statement 2 is correct. Instruments: Folk music utilizes a wide array of instruments, often crafted from locally available materials by the musicians themselves. These instruments can vary greatly depending on the region and may include simpler drums like daf or dholak, string instruments like ektar or dotar, and percussion instruments made from bamboo, coconut shells, or pots. Classical music, on the other hand, typically employs a specific set of instruments like the tabla, sitar, and sarod, often crafted by specialized artisans dedicated solely to instrument making. Repertoire: Folk music repertoire often includes songs that reflect the daily lives, traditions, and cultural expressions of the community. It often tells stories, expresses emotions, and celebrates communal experiences. Classical music repertoire is based on a structured system of ragas and talas, with compositions often passed down through generations within specific musical lineages. The focus is on technical mastery and improvisation within the framework of these musical structures. Hence, statement 3 is correct. Hence, option (d) is correct. Incorrect Answer: d Explanation: The differences between folk and classical music in India are vast and reflect both cultural and practical distinctions. Training and Learning: Classical music in India follows a formalized system of training, often requiring extensive periods of apprenticeship where students devote their lives to learning the music. In contrast, folk music is typically learned informally from childhood, integrated into daily life activities and community events. Hence, statement 1 is correct. Economic Factors: Classical music apprenticeships often require significant financial investment and stability, which may not be feasible for rural communities where folk music thrives. Economic constraints in rural areas often mean that practitioners must balance their musical pursuits with other professions such as farming or hunting. Occasions and Context: Folk music is deeply intertwined with the fabric of rural life, often performed during events like weddings, engagements, or agricultural activities like planting and harvesting. Classical music, while also performed at various events, tends to have a more formalized concert setting. Hence, statement 2 is correct. Instruments: Folk music utilizes a wide array of instruments, often crafted from locally available materials by the musicians themselves. These instruments can vary greatly depending on the region and may include simpler drums like daf or dholak, string instruments like ektar or dotar, and percussion instruments made from bamboo, coconut shells, or pots. Classical music, on the other hand, typically employs a specific set of instruments like the tabla, sitar, and sarod, often crafted by specialized artisans dedicated solely to instrument making. Repertoire: Folk music repertoire often includes songs that reflect the daily lives, traditions, and cultural expressions of the community. It often tells stories, expresses emotions, and celebrates communal experiences. Classical music repertoire is based on a structured system of ragas and talas, with compositions often passed down through generations within specific musical lineages. The focus is on technical mastery and improvisation within the framework of these musical structures. Hence, statement 3 is correct. Hence, option (d) is correct.

#### 7. Question

With reference to the differences between classical music and folk music, consider the following statements:

• Classical music in India follows a formalized system of training, while folk music is typically learned informally from childhood, integrated into daily life activities and community events.

• Folk music is deeply intertwined with the fabric of rural life often performed during events like weddings, engagements, or agricultural activities, while Classical music tends to have a more formalized concert setting.

• Folk music repertoire includes songs that often tells stories, expresses emotions, and celebrates communal experiences. Classical music repertoire is based compositions often passed down through generations within specific musical lineages.

How many of the above given statements are NOT correct?

• a) Only one

• b) Only two

• c) All three

Explanation:

The differences between folk and classical music in India are vast and reflect both cultural and practical distinctions.

• Training and Learning:

• Classical music in India follows a formalized system of training, often requiring extensive periods of apprenticeship where students devote their lives to learning the music. In contrast, folk music is typically learned informally from childhood, integrated into daily life activities and community events. Hence, statement 1 is correct.

• Economic Factors:

• Classical music apprenticeships often require significant financial investment and stability, which may not be feasible for rural communities where folk music thrives. Economic constraints in rural areas often mean that practitioners must balance their musical pursuits with other professions such as farming or hunting.

• Occasions and Context:

• Folk music is deeply intertwined with the fabric of rural life, often performed during events like weddings, engagements, or agricultural activities like planting and harvesting. Classical music, while also performed at various events, tends to have a more formalized concert setting. Hence, statement 2 is correct.

• Instruments:

• Folk music utilizes a wide array of instruments, often crafted from locally available materials by the musicians themselves. These instruments can vary greatly depending on the region and may include simpler drums like daf or dholak, string instruments like ektar or dotar, and percussion instruments made from bamboo, coconut shells, or pots.

• Classical music, on the other hand, typically employs a specific set of instruments like the tabla, sitar, and sarod, often crafted by specialized artisans dedicated solely to instrument making.

• Repertoire:

• Folk music repertoire often includes songs that reflect the daily lives, traditions, and cultural expressions of the community. It often tells stories, expresses emotions, and celebrates communal experiences.

• Classical music repertoire is based on a structured system of ragas and talas, with compositions often passed down through generations within specific musical lineages. The focus is on technical mastery and improvisation within the framework of these musical structures. Hence, statement 3 is correct.

Hence, option (d) is correct.

Explanation:

The differences between folk and classical music in India are vast and reflect both cultural and practical distinctions.

• Training and Learning:

• Economic Factors:

• Occasions and Context:

• Instruments:

• Classical music, on the other hand, typically employs a specific set of instruments like the tabla, sitar, and sarod, often crafted by specialized artisans dedicated solely to instrument making.

• Repertoire:

Hence, option (d) is correct.

• Question 8 of 30 8. Question 1 points Who is credited with systematizing and refining Carnatic music and is known as “Carnatic Sangeeta Pitamaha”? a) Venkatamakhi b) Purandaradasa c) Tyagaraja d) Kanakadasa Correct Answer: b Explanation: Purandaradasa, a composer and musician who lived in the 15th-16th (1484 AD) century, is credited with systematizing and refining Carnatic music during the middle ages. He played a significant role in codifying the structure of Carnatic music, introducing a systematic approach to teaching and composing. Purandaradasa is often referred to as the “Carnatic Sangeeta Pitamaha” (father of Carnatic music) due to his immense contributions to the art form. He established foundational principles for music instruction, including the use of specific scales (such as the Malavagowla scale) and graded exercises for beginners. His compositions, known as “Dasara Padas” or “Devarnamas,” are revered in the Carnatic music tradition and continue to be performed and studied today. Hence, option (b) is correct. Incorrect Answer: b Explanation: Purandaradasa, a composer and musician who lived in the 15th-16th (1484 AD) century, is credited with systematizing and refining Carnatic music during the middle ages. He played a significant role in codifying the structure of Carnatic music, introducing a systematic approach to teaching and composing. Purandaradasa is often referred to as the “Carnatic Sangeeta Pitamaha” (father of Carnatic music) due to his immense contributions to the art form. He established foundational principles for music instruction, including the use of specific scales (such as the Malavagowla scale) and graded exercises for beginners. His compositions, known as “Dasara Padas” or “Devarnamas,” are revered in the Carnatic music tradition and continue to be performed and studied today. Hence, option (b) is correct.

#### 8. Question

Who is credited with systematizing and refining Carnatic music and is known as “Carnatic Sangeeta Pitamaha”?

• a) Venkatamakhi

• b) Purandaradasa

• c) Tyagaraja

• d) Kanakadasa

Explanation:

• Purandaradasa, a composer and musician who lived in the 15th-16th (1484 AD) century, is credited with systematizing and refining Carnatic music during the middle ages.

• He played a significant role in codifying the structure of Carnatic music, introducing a systematic approach to teaching and composing.

• Purandaradasa is often referred to as the “Carnatic Sangeeta Pitamaha” (father of Carnatic music) due to his immense contributions to the art form.

• He established foundational principles for music instruction, including the use of specific scales (such as the Malavagowla scale) and graded exercises for beginners.

• His compositions, known as “Dasara Padas” or “Devarnamas,” are revered in the Carnatic music tradition and continue to be performed and studied today.

Hence, option (b) is correct.

Explanation:

• Purandaradasa, a composer and musician who lived in the 15th-16th (1484 AD) century, is credited with systematizing and refining Carnatic music during the middle ages.

• He played a significant role in codifying the structure of Carnatic music, introducing a systematic approach to teaching and composing.

• Purandaradasa is often referred to as the “Carnatic Sangeeta Pitamaha” (father of Carnatic music) due to his immense contributions to the art form.

• He established foundational principles for music instruction, including the use of specific scales (such as the Malavagowla scale) and graded exercises for beginners.

• His compositions, known as “Dasara Padas” or “Devarnamas,” are revered in the Carnatic music tradition and continue to be performed and studied today.

Hence, option (b) is correct.

• Question 9 of 30 9. Question 1 points The ‘Sangeeta Sampradaya Pradarsini’ which serves as an authority for information regarding the music, musicians and composers of the previous centuries was written by: a) Subbarama Dikshithar b) Mysore Sadasiva Rao c) Ramnad Srinivasa Iyengar d) Papanasam Sivan Correct Answer: a Explanation: The Sangeeta Sampradaya Pradarsini, written by Subbarama Dikshithar in the year 1904, serves as an authority for information regarding the music, musicians and composers of the previous centuries. Hence, option (a) is correct. Incorrect Answer: a Explanation: The Sangeeta Sampradaya Pradarsini, written by Subbarama Dikshithar in the year 1904, serves as an authority for information regarding the music, musicians and composers of the previous centuries. Hence, option (a) is correct.

#### 9. Question

The ‘Sangeeta Sampradaya Pradarsini’ which serves as an authority for information regarding the music, musicians and composers of the previous centuries was written by:

• a) Subbarama Dikshithar

• b) Mysore Sadasiva Rao

• c) Ramnad Srinivasa Iyengar

• d) Papanasam Sivan

Explanation:

• The Sangeeta Sampradaya Pradarsini, written by Subbarama Dikshithar in the year 1904, serves as an authority for information regarding the music, musicians and composers of the previous centuries.

Hence, option (a) is correct.

Explanation:

Hence, option (a) is correct.

• Question 10 of 30 10. Question 1 points Which form of Hindustani music corresponds to the Tillana of Carnatic music? a) Khayal b) Dhrupad c) Tarana d) Thumri Correct Answer: c Explanation: The Tillana, corresponding to the Tarana of Hindustani music, is a short and crisp form. It is mainly a dance form, but on account of its brisk and attractive music, it sometimes finds a place in music concerts as a conclusion piece. The name Tillana is constituted of the rhythmic syllables. It is the liveliest of musical forms. This form is said to have had its birth in the 18th century. The sahitya of a tillana may be in Sanskrit, Telugu or Tamil. The presence of rhythmical solfa syllables along with a sprinkling of sahitya enhance the beauty of the form of the Tillana. Tarana Style: In this style the rhythm plays a very crucial role. The structure consists of melody. It is sung at a fast tempo. It focuses on producing rhythmic matters and hence, the singers need specialised training and skills in rhythmic manipulation. Currently, the World’s Fastest Tarana Singer is Pandit Rattan Mohan Sharma of the Mewati Gharana. Hence, option(c) is correct. Incorrect Answer: c Explanation: The Tillana, corresponding to the Tarana of Hindustani music, is a short and crisp form. It is mainly a dance form, but on account of its brisk and attractive music, it sometimes finds a place in music concerts as a conclusion piece. The name Tillana is constituted of the rhythmic syllables. It is the liveliest of musical forms. This form is said to have had its birth in the 18th century. The sahitya of a tillana may be in Sanskrit, Telugu or Tamil. The presence of rhythmical solfa syllables along with a sprinkling of sahitya enhance the beauty of the form of the Tillana. Tarana Style: In this style the rhythm plays a very crucial role. The structure consists of melody. It is sung at a fast tempo. It focuses on producing rhythmic matters and hence, the singers need specialised training and skills in rhythmic manipulation. Currently, the World’s Fastest Tarana Singer is Pandit Rattan Mohan Sharma of the Mewati Gharana. Hence, option(c) is correct.

#### 10. Question

Which form of Hindustani music corresponds to the Tillana of Carnatic music?

• b) Dhrupad

Explanation:

• The Tillana, corresponding to the Tarana of Hindustani music, is a short and crisp form.

• It is mainly a dance form, but on account of its brisk and attractive music, it sometimes finds a place in music concerts as a conclusion piece.

• The name Tillana is constituted of the rhythmic syllables. It is the liveliest of musical forms. This form is said to have had its birth in the 18th century. The sahitya of a tillana may be in Sanskrit, Telugu or Tamil. The presence of rhythmical solfa syllables along with a sprinkling of sahitya enhance the beauty of the form of the Tillana.

• Tarana Style: In this style the rhythm plays a very crucial role. The structure consists of melody.

• It is sung at a fast tempo.

• It focuses on producing rhythmic matters and hence, the singers need specialised training and skills in rhythmic manipulation.

• Currently, the World’s Fastest Tarana Singer is Pandit Rattan Mohan Sharma of the Mewati Gharana.

• Hence, option(c) is correct.

Explanation:

• The Tillana, corresponding to the Tarana of Hindustani music, is a short and crisp form.

• It is mainly a dance form, but on account of its brisk and attractive music, it sometimes finds a place in music concerts as a conclusion piece.

• Tarana Style: In this style the rhythm plays a very crucial role. The structure consists of melody.

• It is sung at a fast tempo.

• It focuses on producing rhythmic matters and hence, the singers need specialised training and skills in rhythmic manipulation.

• Currently, the World’s Fastest Tarana Singer is Pandit Rattan Mohan Sharma of the Mewati Gharana.

• Hence, option(c) is correct.

• Question 11 of 30 11. Question 1 points In the context of Carnatic music, consider the following statements: Kirtana is known for its devotional lyrics and simple musical style, evoking a sense of deep devotion. Kirtana which evolved from the Kriti showcases the emotional depth of the raga through rich and varied melodies. Which of the above given statements is/are correct? a) 1 only b) 2 only c) Both 1 and 2 d) Neither 1 nor 2 Correct Answer: a Explanation: The Kirtanam or Kitana had its birth about the latter half of the 14th century. It is valued for the devotional content of the lyrics. It is suited for congregational singing as well as individual presentation. The Talapakam composers of the 15th century were the first to compose kirtanas with the sections, pallavi, anupallavi and charanas. It is revered for its devotional lyrics and simple musical style, evoking a sense of deep devotion. Hence, statement 1 is correct. The Kriti, evolved from the Kirtana, represents a highly refined musical form known for its aesthetic excellence. It showcases the emotional depth of the raga through rich and varied melodies. With the emergence of the kriti, a distinct style in musical composition became possible. Hence, statement 2 is incorrect. Hence, option (a) is correct. Incorrect Answer: a Explanation: The Kirtanam or Kitana had its birth about the latter half of the 14th century. It is valued for the devotional content of the lyrics. It is suited for congregational singing as well as individual presentation. The Talapakam composers of the 15th century were the first to compose kirtanas with the sections, pallavi, anupallavi and charanas. It is revered for its devotional lyrics and simple musical style, evoking a sense of deep devotion. Hence, statement 1 is correct. The Kriti, evolved from the Kirtana, represents a highly refined musical form known for its aesthetic excellence. It showcases the emotional depth of the raga through rich and varied melodies. With the emergence of the kriti, a distinct style in musical composition became possible. Hence, statement 2 is incorrect. Hence, option (a) is correct.

#### 11. Question

In the context of Carnatic music, consider the following statements:

• Kirtana is known for its devotional lyrics and simple musical style, evoking a sense of deep devotion.

• Kirtana which evolved from the Kriti showcases the emotional depth of the raga through rich and varied melodies.

Which of the above given statements is/are correct?

• c) Both 1 and 2

• d) Neither 1 nor 2

Explanation:

• The Kirtanam or Kitana had its birth about the latter half of the 14th century. It is valued for the devotional content of the lyrics.

• It is suited for congregational singing as well as individual presentation. The Talapakam composers of the 15th century were the first to compose kirtanas with the sections, pallavi, anupallavi and charanas.

• It is revered for its devotional lyrics and simple musical style, evoking a sense of deep devotion. Hence, statement 1 is correct.

• The Kriti, evolved from the Kirtana, represents a highly refined musical form known for its aesthetic excellence. It showcases the emotional depth of the raga through rich and varied melodies. With the emergence of the kriti, a distinct style in musical composition became possible. Hence, statement 2 is incorrect.

Hence, option (a) is correct.

Explanation:

• The Kirtanam or Kitana had its birth about the latter half of the 14th century. It is valued for the devotional content of the lyrics.

• It is revered for its devotional lyrics and simple musical style, evoking a sense of deep devotion. Hence, statement 1 is correct.

Hence, option (a) is correct.

• Question 12 of 30 12. Question 1 points What role does singing play in traditional theatre forms? a) It is insignificant b) It is a vital element c) It is only used for background music d) It is occasionally used for emphasis Correct Answer: b Explanation: In different regions of India, there are religious festivals, fairs, gatherings, ritual offerings, prayers, almost throughout the year. During these occasions, traditional theatre forms are presented. They reflect the common man’s social attitudes and perceptions. In almost all the traditional theatre-forms, songs and the art of singing have an important role to play. Traditional music of the theatre is an expression of the feelings of the community. Singing stands as a vital element within traditional theatre, binding together the various aspects of performance to create a rich and immersive experience. Hence, option (b) is correct. Incorrect Answer: b Explanation: In different regions of India, there are religious festivals, fairs, gatherings, ritual offerings, prayers, almost throughout the year. During these occasions, traditional theatre forms are presented. They reflect the common man’s social attitudes and perceptions. In almost all the traditional theatre-forms, songs and the art of singing have an important role to play. Traditional music of the theatre is an expression of the feelings of the community. Singing stands as a vital element within traditional theatre, binding together the various aspects of performance to create a rich and immersive experience. Hence, option (b) is correct.

#### 12. Question

What role does singing play in traditional theatre forms?

• a) It is insignificant

• b) It is a vital element

• c) It is only used for background music

• d) It is occasionally used for emphasis

Explanation:

• In different regions of India, there are religious festivals, fairs, gatherings, ritual offerings, prayers, almost throughout the year. During these occasions, traditional theatre forms are presented. They reflect the common man’s social attitudes and perceptions.

• In almost all the traditional theatre-forms, songs and the art of singing have an important role to play. Traditional music of the theatre is an expression of the feelings of the community.

• Singing stands as a vital element within traditional theatre, binding together the various aspects of performance to create a rich and immersive experience.

Hence, option (b) is correct.

Explanation:

• Singing stands as a vital element within traditional theatre, binding together the various aspects of performance to create a rich and immersive experience.

Hence, option (b) is correct.

• Question 13 of 30 13. Question 1 points Consider the following: Comedy Dance Music Martial art How many of the above given aspects are inculcated in the performance of Bhand Pather traditional theatre form of Kashmir? a) Only one b) Only two c) Only three d) All four Correct Answer: c Explanation: Bhand Pather, the traditional theatre form of Kashmir, is a unique combination of dance, music and acting. Satire, wit and parody are preferred for inducing laughter. In this theatre form, music is provided with surnai, nagaara and dhol. Since the actors of Bhand Pather are mainly from the farming community, the impact of their way of living, ideals and sensitivity is discernible. Hence, option (c) is correct. Incorrect Answer: c Explanation: Bhand Pather, the traditional theatre form of Kashmir, is a unique combination of dance, music and acting. Satire, wit and parody are preferred for inducing laughter. In this theatre form, music is provided with surnai, nagaara and dhol. Since the actors of Bhand Pather are mainly from the farming community, the impact of their way of living, ideals and sensitivity is discernible. Hence, option (c) is correct.

#### 13. Question

Consider the following:

• Martial art

How many of the above given aspects are inculcated in the performance of Bhand Pather traditional theatre form of Kashmir?

• a) Only one

• b) Only two

• c) Only three

• d) All four

Explanation:

• Bhand Pather, the traditional theatre form of Kashmir, is a unique combination of dance, music and acting.

• Satire, wit and parody are preferred for inducing laughter.

• In this theatre form, music is provided with surnai, nagaara and dhol. Since the actors of Bhand Pather are mainly from the farming community, the impact of their way of living, ideals and sensitivity is discernible.

Hence, option (c) is correct.

Explanation:

• Bhand Pather, the traditional theatre form of Kashmir, is a unique combination of dance, music and acting.

• Satire, wit and parody are preferred for inducing laughter.

Hence, option (c) is correct.

• Question 14 of 30 14. Question 1 points What is the role of the Bhagawatha in a Yakshagana troupe? a) Lead dancer b) Storyteller c) Musician d) Costume designer Correct Answer: b Explanation: Recently,the Prime Minister of India expressed deep grief over the demise of noted Yakshagana playback singer, Shri Balipa Narayana Bhagawatha. Yakshagana is a traditional folk dance form popular in Coastal Karnataka districts. It is a rare combination of dance, music, song, scholarly dialogues and colourful costumes. Usually recited in Kannada, it is also performed in Tulu (the dialect of Coastal Karnataka). Traditionally, men portray all roles, including the female ones, though women are now part of Yakshagana troupes. Each performance typically focuses on a small sub-story (known as ‘Prasanga’) from ancient Hindu epics of Ramayana or Mahabharata. Musical instruments used in Yakshagana include Chande (drums), Harmonium, Maddale, Taala (mini metal clappers) and flute among others. Costumes used in Yakshagana are very unique and elaborate. Large size headgear, coloured faces, elaborate costumes all over the body and musical beads on the legs (Gejje). A typical troupe consists of 15 to 20 actors and a Bhagawatha, who is the master of ceremonies and the main storyteller. They narrate the story, provide commentary, and guide the audience through the performance. While musicians provide musical accompaniment and dancers perform, the Bhagawatha plays a crucial role in presenting the narrative and maintaining the flow of the performance. Hence, option (b) is correct. Incorrect Answer: b Explanation: Recently,the Prime Minister of India expressed deep grief over the demise of noted Yakshagana playback singer, Shri Balipa Narayana Bhagawatha. Yakshagana is a traditional folk dance form popular in Coastal Karnataka districts. It is a rare combination of dance, music, song, scholarly dialogues and colourful costumes. Usually recited in Kannada, it is also performed in Tulu (the dialect of Coastal Karnataka). Traditionally, men portray all roles, including the female ones, though women are now part of Yakshagana troupes. Each performance typically focuses on a small sub-story (known as ‘Prasanga’) from ancient Hindu epics of Ramayana or Mahabharata. Musical instruments used in Yakshagana include Chande (drums), Harmonium, Maddale, Taala (mini metal clappers) and flute among others. Costumes used in Yakshagana are very unique and elaborate. Large size headgear, coloured faces, elaborate costumes all over the body and musical beads on the legs (Gejje). A typical troupe consists of 15 to 20 actors and a Bhagawatha, who is the master of ceremonies and the main storyteller. They narrate the story, provide commentary, and guide the audience through the performance. While musicians provide musical accompaniment and dancers perform, the Bhagawatha plays a crucial role in presenting the narrative and maintaining the flow of the performance. Hence, option (b) is correct.

#### 14. Question

What is the role of the Bhagawatha in a Yakshagana troupe?

• a) Lead dancer

• b) Storyteller

• c) Musician

• d) Costume designer

Explanation:

• Recently,the Prime Minister of India expressed deep grief over the demise of noted Yakshagana playback singer, Shri Balipa Narayana Bhagawatha.

• Yakshagana is a traditional folk dance form popular in Coastal Karnataka districts.

• It is a rare combination of dance, music, song, scholarly dialogues and colourful costumes.

• Usually recited in Kannada, it is also performed in Tulu (the dialect of Coastal Karnataka).

• Traditionally, men portray all roles, including the female ones, though women are now part of Yakshagana troupes.

• Each performance typically focuses on a small sub-story (known as ‘Prasanga’) from ancient Hindu epics of Ramayana or Mahabharata.

• Musical instruments used in Yakshagana include Chande (drums), Harmonium, Maddale, Taala (mini metal clappers) and flute among others.

• Costumes used in Yakshagana are very unique and elaborate. Large size headgear, coloured faces, elaborate costumes all over the body and musical beads on the legs (Gejje).

• A typical troupe consists of 15 to 20 actors and a Bhagawatha, who is the master of ceremonies and the main storyteller.

• They narrate the story, provide commentary, and guide the audience through the performance. While musicians provide musical accompaniment and dancers perform, the Bhagawatha plays a crucial role in presenting the narrative and maintaining the flow of the performance.

• Hence, option (b) is correct.